{"id":3375,"date":"2011-06-01T00:00:00","date_gmt":"2011-06-01T00:00:00","guid":{"rendered":"http:\/\/christiebeaulac.com\/?p=3375"},"modified":"2011-06-01T00:00:00","modified_gmt":"2011-06-01T00:00:00","slug":"house-aka-hausu-1977","status":"publish","type":"post","link":"https:\/\/www.thelooksee.com\/house-aka-hausu-1977\/","title":{"rendered":"House (aka Hausu) 1977"},"content":{"rendered":"
I know that I’m by no means the first to discover it, but I watched the Criterion copy of Obayashi’s 1977 cult classic horror movie House<\/a> several weeks ago, and took some screengrabs which I forgot about. This movie is hard to describe- it is funny, suggestive, cheesy, campy, surreal, a little creepy, and beautiful in many ways. It combines optical printing with animation, live action, stop motion, and so many editing gems I can’t even describe here. It seems self-aware but is so over-the-top crazy. House is not really horror (if you, like me, are leery of horror flicks) and is worth a watch for it’s sheer artistic value and absurdity. With characters named Gorgeous, Fantasy, Prof, Mac, Melody, and Kung Fu, how can you go wrong?<\/p>\n If you’re not convinced by the screengrabs, then I have two words for you: WITCH CAT.<\/p>\n<\/a><\/p>\n
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